In a new interview with IMPACT Metal Channel, TESTAMENT bassist Steve DiGiorgio spoke about the band’s upcoming follow-up to 2020’s “Titans Of Creation” album. He said (as transcribed by BLABBERMOUTH.NET): “It’s pretty close to being done. There’s still some things here and there to finish. So there’s some bits to record still, but it’s pretty easy to say the majority of the album is done. So it feels like an album now. But we keep throwing tours in the middle of the recording process, so we just put it on hold and go play for two months and come back and turn on the system and work on it some more. So it’ll take a while, but, yeah, I think we’ll be mixing in the early part of the year, which means release probably middle of the year.”Regarding the musical direction of the new TESTAMENT material, Steve said: “It’s pretty evil. The last album has some cool, catchy songs mixed in with some fast stuff. And it’s one of my particularly favorite TESTAMENT records, the way it came out, ‘Titans’. So if I say anything, it’s supposedly in a good way catchy; it’s not a turn-off. But this new one, I would definitely say it is much more evil-sounding. Having the new kid [Chris Dovas] on drums has really picked things up, and Chuck’s [Billy, TESTAMENT vocalist] singing just as good as ever. And for being 62 now, he still sounds like Chuck. And we have this [slower song] — they’ve been talking about it even before we wrote the song; it’s a ballad-type song. But it’s a TESTAMENT ballad. There’s acoustic guitar in it, but then there’s still elements of kind of heavy, slow. But having Floor Jansen sing on it, the NIGHTWISH singer. She’s gonna do a little guest spot in the song. So, there’s a pretty big variety, considering there’s a ballad combined with some pretty fast, evil shit, too. So, I guess, just to keep it simple, it’s another TESTAMENT record. The TESTAMENT variety is there in all forms again. But this early, it’s also hard to tell until it’s done and we can sit back and listen to it. Especially me — I’m the worst guesser of how something’s gonna be. Sometimes I think it’s silly and everybody gets behind it, or sometimes I’m really excited about it and kind of no big reaction. So, I don’t know what that means. But I’ll just wait and see. But I know that playing it in the studio was intense. It wasn’t easy to play, so I think that’s why I feel it’s evil, ’cause [there were] some difficult, fast passages and stuff.”Last month, Billy told Australia’s The Rockpit, about TESTAMENT’s upcoming LP: “Well, this [album is] gonna be very special. I think I’m more excited about this one, just because of the fact — the timing of everything. I’m a big person believer in things happen for reasons. And Chris Dovas jamming with us and having a lot of time to come up and spend with Eric [Peterson, TESTAMENT guitarist] at Eric’s place, just jamming, coming up a lot of music and working on it hard and tracking it at home and doing demos. And I could tell, when I first started getting the songs and the riffs sent, that it was something different. It’s still Eric and I recognize it, but he was being pushed and inspired ’cause Chris is a very fast, aggressive drummer, and I can tell that it just inspired Eric just to be Eric and play guitar instead of trying to think about building a song or making a song — ‘Let’s just jam.’ And that’s the kind of way they approached it. And next thing you know, they had 10, 11, 12 jams that were sounding pretty strong, but individually identified just different vibes. And I was, like, ‘Okay, this is what it is.’ And then, as it just built vocally and everything, that’s when we were kind of, ‘Wow. It just feels fresh and new and challenging again. Vocally, for me, I’ve got a wide range of tones on this one — I’m screaming again, which I haven’t done that a lot on a lot of records in the past, but a lot on this one. And we are still writing for ourselves, but we’re still excited that when we write a song, how it hits live, and that’s always been the payoff, is do these songs we write in the studio hit live like we want ’em to? And that’s the fun part.”Earlier last month, Peterson told Francisco Zamudio of KNAC.COM about TESTAMENT’s upcoming LP:  ”It’s gonna be an amazing record. I’m super excited for everybody to hear it. It’s all over the place. It’s very focused, but there’s a lot of elements going on.”Regarding where TESTAMENT is in the production process for the new album right now, Eric said: “I would say we’re, like, 95 percent done recording it. There’s some solos to do… Drums, bass [are recorded]. A little bit of guitars need to be done. Alex’s [Skolnick, TESTAMENT lead guitarist] got some solos [left to record], some solos for me. I think Chuck’s got, like, two or three songs left to do. But everything’s pretty much in the can. All the hard work’s done. So, we can definitely play it for people and go, ‘Look, we’ve got a record.'”As for a possible release date for the new TESTAMENT album, Peterson said: “Definitely for singles [it will be early 2025], yes. Release-wise [for the full album], I would say maybe more in the summer. I mean, I guess we could push it and put it out in May, but we’ll see what the record company wants to do. Definitely people will be hearing a couple of songs by April [or] May for sure.”Earlier in November, Billy was asked by Jaimunji if the new TESTAMENT LP will be a throwback to some of the band’s early records or if it will once again be a step forward for the band. Chuck said: “I think we’ve always evolved. We never like to go backwards. These songs, definitely the old classic stuff, ‘The Legacy’ and ‘The New Order’, that’s where we came from, those are the first songs we wrote, so definitely that’s who we are, but we always wanna evolve. We don’t wanna do something we’ve done. But I will say the new record, we’re very excited for it ’cause Chris Dovas, the new drummer, it’s probably the most a drummer has worked with Eric writing material, and it shows.’He continued: “The songs are very strong, very heavy, very fast. We’ve got a little of everything. We’ve got some mid-tempo, but really crushing fast drums. I would even say that we went and put — I don’t wanna say the word ‘ballad’, but it’s a very slow, old classic TESTAMENT vibe, like ‘Return To Serenity’, that we had the confidence and the song is there that we wrote. This record, we’re fired up ’cause, to me, it sounds modern. That’s the one thing I’ve gotta say. It’s TESTAMENT but modern-sounding, just because I think Chris, he shifts another gear on the songs. I mean, he just puts it to another level as far as the drum playing and inspiring Eric to what he’s doing. And it actually opens up the doors for me, challenge-wise, to not just take it the easy way out. I’ve really had some challenges — a lot more screaming death metal, mid-tempo clean vocals. I’m doing a little bit of everything. So that’s the fun part for me and the challenging part, is to make it all work.”Billy also confirmed that one of the new TESTAMENT songs will be a duet with Jansen. “Yeah, I reached out to her,” he said. “Me and Floor became friends maybe under 10 years ago. Me and her, Joey Belladonna [ANTHRAX], Udo Dirkschneider [ex-ACCEPT], we all did this Christmas performance show through Europe. And we were singing our songs, but with a Christmas theme with an orchestra. And so we all traveled together and became friends. And she’s a powerhouse of a vocalist. Great voice. And when we wrote the song and the lyrics, first thing I thought was, ‘Okay, this song, it, it needs a strong girl’s voice,’ and, of course, Floor is the first one that came to mind. And this song, it’s gonna be pretty epic. We’re gonna put a string section on it, acoustic guitars. It’s gonna have a lot going on, but it’s a really, really beautiful song. It’s really deep. And with Floor, it’s kind of me and her kind of singing the lyrics kind of to each other, and the meaning of the song and what we’re saying, it’s kind of, like, I’ll say my part and she’s answering me through the vocal. So it’s gonna be very strong, very cool. And I can’t wait to hear what she’s gonna do on it… We haven’t sent it to her because we haven’t laid down the acoustic guitars yet for it, but the song’s done. I tracked it all. I tracked her parts. And I wanna wait till she hears it for the first time with the acoustics and get the vibe — I want her to be in the vibe once she gets it… And Alex has a connection to some guys that are gonna do the strings on it, who played on some huge records, so what we’ve heard so far, it’s pretty cool.”Billy recently told Metal Express Radio’s Bryce Van Patten about how TESTAMENT’s songwriting process has changed since the band’s early days in the late 1980s and 1990s: “Oh, it’s night and day. Before, back then, we all lived the same place, we all had to go to the same studio, where now it’s by e-mail, sharing the songs. Everybody has home studios to work out demos. Definitely a different writing process, but still Eric is one of the main writers. And ever since we brought in our new drummer, Chris Dovas, he’s been here two years — he was 24 when he came into the band; he’s 26 [now]. But he’s a smart kid. [He] graduated [from] the Berklee [College] Of Music. [He] knows theory [and is] great in the studio with Pro Tools. He’s really into modern bands and new and upcoming stuff, and he’s got an old soul so he knows the history of the music. But I think him working hand in hand with Eric as long as they did, he really pushed Eric and drove Eric to get challenged. And I wouldn’t say ‘copy’, but I think Chris and what he listens to and the style Eric likes, it brought an influence to the new songs.”Regarding the musical direction of the new TESTAMENT material, Chuck said: “To me, the new songs sound current, they sound fresh. They’re touching what a lot of new upcoming bands are making good names for themselves are doing. So, again, it’s raising the bar one more time. And I think when fans hear this record, especially new, younger fans are gonna go, ‘Whoa. That’s TESTAMENT. I know the TESTAMENT I know from 30-something years ago and grew up with, but what is this?’ I’m excited for that because I wanna hear what people think. I’d love to see the expression of them hearing it for the first time. That would be great, because it does sound new and modern and fresh, even though we’re still being challenged.”Asked if he and his TESTAMENT bandmates have more freedom to do whatever they want now than they did when you were on a major label like Atlantic, Chuck said: “Totally. When we were on Atlantic, that was a big machine. They had an A&R department, they had the radio department, they had tons of departments, tons of money, and they were always influenced by how well their big-selling artists were, which were radio bands and they were pushing radio. So that A&R guy would be whispering in our ears, ‘What’s the next radio song?’ And we’re thinking, “Well, we’re not a radio band. That’s not us.’ And even to this day, when I hear some stuff like [on the SiriusXM channel] Ozzy’s Boneyard or something, they play ballads by us, and it’s, like, that doesn’t represent us, but that represents that era in thinking maybe of what TESTAMENT did or what they chose to expose us to the public, which it’s misrepresenting us. So, yeah, the freedom’s huge now, especially being with Nuclear Blast as long as we have. There’s no deadline. It’s just, ‘When you’re ready, you have a record, give it to us.’ And that’s been really nice. And the beauty about this record is that usually we have Andy Sneap mix our record, so we usually write a record and give it to him and then it’s done, written in stone, can’t go back. But this record, we had to pick a somebody to mix it, which wasn’t available till early next year, January. So we decided, ‘Okay.’ We tried to get all the tracking done before we went to Europe this June or July, and we got most of it done.”This past September, Peterson told Brutal Planet Magazine that TESTAMENT has tapped Swedish producer Jens Bogren, who has previously worked with OPETH, KREATOR, PARADISE LOST, SOILWORK and AMON AMARTH, among others, to mix the band’s upcoming studio album. Peterson said about the LP: “It’s, like, 90 percent done. And it’s gonna get mixed in December by Jens Bogren. He’s a producer from Sweden, and he’s done — God, he’s done KREATOR, he’s doing the new BEHEMOTH right now, he’s done IN FLAMES, ARCH ENEMY. A lot of European bands. We usually work with Andy Sneap, but he’s [the touring guitarist] in JUDAS PRIEST and he’s just, like, ‘Bro, I need some time off.’ It’s a good switch, though. I think Jens will do a good job. And yeah, there’s a lot of crazy stuff on this record. I’m excited for everybody to hear it.”In August, Billy told Oran O’Beirne of Overdrive.ie about the musical direction of the new TESTAMENT material: “We always try to outdo ourselves or make a better record or write better songs. It’s always a challenge for ourselves, and I think this time we really took a long time to create the record. We kind of got everybody in the same room to really go through the songs and kind of put their two cents in to the arrangements. I think by having Chris — he’s a younger drummer, a really great drummer — but I think he brought you know a new fire to Eric in the writing process. And I believe because we’re going on 37 years of making records, it’s kind of full circle right now. We’re kind of inspired by new generation, I guess, of music and metal. And Chris is a big part of that. He’s a big fan of that. So I think he inspired Eric just to write some really aggressive, fast, creative riffs. And it really inspired me to really push myself to try to do a little more screaming, death vocals, melodic stuff. We even went as far as writing — I don’t wanna say ‘ballad’, but it’s something really catchy that’s really slow that’s something we haven’t done in over 30 years. So I think just the overall songs and the confidence in the writing this time really is gonna stand out on this record.”This past June, Chuck told Nikki Blakk of the San Francisco, California radio station 107.7 The Bone about the lyrical themes covered in the new TESTAMENT songs: “[It’s] not as focused [on], like, the aliens, creating mankind and that kind of stuff, but there is some of that. There’s a lot. Each song definitely has its own identity lyrically. And again, we’re writing stuff that is real, that happens with the environment; we’re singing about that again. A.I., we’re singing stuff about that. That’s a big thing. So, there’s always an inspiration for songs. I think it’s a little easier. There’s so much going on in our world to write about now. It’s a crazy world today, so there’s a lot of stuff to talk about. And I like singing about what’s real and what’s going on instead of some fantasy lyrics, because, for me, I think when I sing ’em, I have more conviction, I believe in ’em a little more. And maybe it’s easier for me to remember the lyrics live. [Laughs]”Naming specific tracks, Chuck said: “There’s a song, ‘Havana Syndrome’, which is about the Havana Syndrome. People, look that up. There’s ‘Infanticide A.I.’, which is another song going A.I. direction. And there’s actually a slower song. We haven’t done a slower song. I’m not gonna say ‘ballad’, but I’m gonna say a slower song that has a lot of groove and soul, called ‘Meant To Be’. And it’s like a classic TESTAMENT-type ballad, I guess, if you wanna use that word. But we’ve got a little bit of everything, but, again, I think it’s really sticking to TESTAMENT, having to have some melodic stuff, even though there’s some really brutal lyrics and real brutal, more of a death voice. I still put the hook in with more of a melodic hook or something. It’s still classic TESTAMENT. If you listen to it, you’ll go, ‘That’s TESTAMENT, but a little more octane to it.'”Also in June, Chuck told Canada’s The Metal Voice that he writes most of TESTAMENT’s lyrics with Del James. “Del, he works with GUNS N’ ROSES,” Chuck said. “He’s been working with them and wrote with them a long time ago. I think he had big hits like ‘November Rain’ with them. And we’ve been working [together] for over 20 years. So I always go down and work with him because I come up with a lot of the ideas and concepts, but he really interprets and gets the right words, how to say what I’m thinking. And we work fast. When we get together, we’ll knock out like two songs in a day. So we don’t mess around. We get there, say hello to each other, we sit down and we go right to work. It’s about what we do.”[embedded content]