The Eclipse YouTube channel has uploaded video of Yngwie Malmsteen’s October 27 performance at the House Of Blues in Anaheim, California during his “40th Anniversary Tour”. You can now check out the clips below.Yngwie’s 40th-anniversary tour kicked off on September 26 in Fort Myers, Florida and will conclude on November 22 in Fort Lauderdale, Florida. Support on the trek is coming from singer-songwriter Kurt Deimer.For more information, visit www.yngwiemalmsteen.com/tour.Yngwie’s latest album, “Parabellum”, was released in July 2021 via Music Theories Recordings/Mascot Label Group. Only four of the songs on the LP feature vocals. The album title is Latin, translating as “Prepare For War”.After working with some of the top hard singers of the past four decades, Yngwie now handles much of the lead vocals himself in his own band, backed by a lineup that includes keyboardist Nick Marino, bassist Emilio Martinez and drummer Kevin Klingenschmid.Last month, Yngwie dismissed the notion that playing guitar is a “competition”, explaining that “music and guitar playing comes from within”. The 61-year-old Swedish-born guitarist, who made a name for himself by recreating the spirit of celebrated composer/musician Niccolò Paganini, but within the realm of heavy metal guitar, took to his social media on September 1 to write: “So I see a lot of these comments where people are saying I can’t be as good as you or I gave up playing the guitar after I saw you.”Music and playing the guitar is not a competition even though since the beginning of my career, that is what they wanted to portray. That’s why they have all these best guitarist that guitars blah blah blah. Music and guitar playing comes from within and it’s to be enjoyed at any level, no matter where you are in your life. Even if you are making a career out of it if you play with the thought that I’m going to compete with another guitar player or another musician, you will be miserable. Competition is for sports and athletes, not for guitar playing, period. It’s not a competition. The instrument of the guitar is to be played and enjoyed at any level. Now go pick up that guitar”.In a 2006 interview with Australia’s X-Press Online, Yngwie stated about where the idea to combine classical music and rock guitar came from: “I was the youngest member of my family. I have an older brother and sister and my mother, my father, my uncles, my aunts — everybody is a musician. My grandfather was a drummer. It’s like music, music, music everywhere… and art, a lot of art and music. I had a very artistic kind of upbringing.”As a little kid, I wasn’t really into being a musician. My mother gave me a guitar on my fifth birthday and a trumpet on my sixth birthday, and so on, but when I was seven, I saw a TV news special about Jimi Hendrix. It showed him burning his guitar and you didn’t even hear the music, just saw him burning a guitar, and I thought that was so cool. I already had a guitar, so I started playing that same day — September 18, 1970. I was only a little kid. One year later, my older sister Lulu gave me DEEP PURPLE’s ‘Fireball’, which is a really hard rock album, and I went out and bought ‘In Rock’ the next day. I was listening to songs like ‘Fireball’, ‘Flight Of The Rat’ — just so heavy — so I learned how to play all these solos and stuff and, contrary to most people’s opinion or theory, is that DEEP PURPLE, along with all other rock ‘n’ roll bands were all blues-based. Pentatonic scales and my classical influence did not come from them. A lot of people seem to think so, but no, no, no, no. I love these guys… my favorite band ever. My classical music didn’t come from there, but my love for hard rock was definitely from PURPLE.”What I wanted to do was try and take this whole thing with the double-bass drums and the Marshalls all the way up and all that shit, and play with counterpoints and pedal notes, inverted chords, Phrygian modes, inverted scales, diminished scales… all that shit. Then I saw a TV program: it was a guy playing violin. They said it was music from Niccolò Paganini. When I heard that, I said, ‘Fuck, that’s what I want to go for on the guitar.’ So my guitar playing is 99.9 percent influenced by classical violin, mainly Paganini, Vivaldi and Tchaikovsky, and my songwriting is very Bach in the structuring, because I’ve always loved the counterpoint and the harmonic minor kind of things. But I love the sound of the metal ensemble. That’s how it all started.”[embedded content][embedded content][embedded content][embedded content][embedded content][embedded content][embedded content][embedded content][embedded content]
