In a new interview with Radioactive MikeZ, host of the 96.7 KCAL-FM program “Wired In The Empire”, THE DEVIL WEARS PRADA’s Jeremy DePoyster (vocals, guitar) was asked if he and his bandmates are working on material for the follow-up to 2022’s “Color Decay” album. He responded (as transcribed by BLABBERMOUTH.NET): “We are, definitely. I mean, it’s been about two years since we put [‘Color Decay’] out. But we’ve been working on that record for a couple years since before then. We’re really busy, like too busy. We’ve kind of spent every single moment that we’re not on tour going out to California and renting some studios and writing a bunch of stuff. So we’re sitting on a big pile of stuff. But we will definitely not put anything out until next year. I didn’t really wanna cloud up the set with trying to put out a new song and stuff. But I would say this [fall 2024 North American] tour and our European tour coming up [in February 2025] are probably the tail end of the ‘Color Decay’ era. And then we’re gonna push forward from there.”Asked if THE DEVIL WEARS PRADA still believes in “the album philosophy” as opposed to focusing on singles, Jeremy said: “Oh my gosh, yeah. Dude, I’m old school, man. I still like records. [Laughs]”He added: “You know what? A couple of years ago, I had a bunch of people telling me the record is dead. It’s all about singles now. It’s all about short form. And then a bunch of my friends in other bands just kept putting out records and we kept putting out records. And I’m, like, I don’t think the suits really know what’s going on. I think the fans and the bands definitely know what’s going on. And I think people just, especially with physical media and putting an LP on and listening to it, there’s just something about just from start to finish, a really well-curated track listing, and that sets the vibe that I don’t think we’ll ever go away from.”Asked if there is any sort of theme or direction for the new material that he and his bandmates have been working on so far, Jeremy said: “I think we all, particularly Mike [Hranica, vocals] and myself, and Jon [Jonathan Gering], our keyboard player, that we write all the lyrics, and I think we all were, like, ‘Man, I’m in a really good headspace. My life’s really good. I’m feeling great. We’ve had a lot of great tours. My relationship’s awesome.’ And then we started writing, and it was, like, ‘Oh, man. This is so depressing and so soul crushing.’ And so I think there’s just these little demons lurking in there that come out when you put the pen down and you’re, like, ‘Oh, I didn’t even know that was in there.’ … I think sonically, maybe I want it a little more upbeat, but it’s kind of like a pop song that just destroys your life type of thing — with some breakdowns. You can’t get away from the breakdowns.””Color Decay” followed 2019’s “The Act”. As Revolver stated when selecting the record as one of the “50 Most Anticipated Albums Of 2022,” “THE DEVIL WEARS PRADA have proven time and time again that it’s possible to never stop sonically experimenting — with screamo, with spoken word, with atmospheric electronica, with sludge — and never lose their own crushing identity. Anticipating their next successful risk is one of the things that makes being a TDWP fan so rewarding.”THE DEVIL WEARS PRADA have been consistently delivering since forming in 2005. Fans voted 2009’s seminal “With Roots Above And Branches Below” one of the “5 Greatest Metalcore Albums” in a Revolver poll, with the magazine christening it “a true metalcore landmark.” The group has notched six consecutive Top 5 debuts on the Billboard Top Hard Rock Albums chart, including “Dead Throne” (2011),”8:18″ (2013),”Space” EP (2015),”Transit Blues” (2016),”The Act” (2019) and “ZII” EP (2021). The latter served as a sequel to one of their most beloved projects — 2010’s “Zombie” EP. In the wake of the EP, the group exceeded a quarter of a billion cumulative streams and views. During 2021, the musicians decamped to remote hideaways together in Wisconsin and Desert Hot Springs, California. This time around, keyboardist/programmer Jonathan Gering took the reins as producer, collaborating closely to assemble a rich sonic architecture for what would become “Color Decay”.Photo credit: Imani Givertz[embedded content]